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安徒生经典童话故事英语阅读

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安徒生,丹麦19世纪著名童话作家,世界文学童话创始人,因为其童话作品而闻名于世。他通过童话的形式,真实地反映了他所处的那个时代及其社会生活,深厚地表达了平凡人的感情和意愿,从而使人们的感情得到净化与升华。下面本站小编为大家带来安徒生童话故事英语阅读,欢迎大家阅读!

安徒生经典童话故事英语阅读

安徒生童话故事:小鬼和小商人

There was once a regular student, who lived in a garret, and had no possessions. And there was also a regular huckster, to whom the house belonged, and who occupied the ground floor. A goblin lived with the huckster, because at Christmas he always had a large dish full of jam, with a great piece of butter in the middle. The huckster could afford this; and therefore the goblin remained with the huckster, which was very cunning of him.

One evening the student came into the shop through the back door to buy candles and cheese for himself, he had no one to send, and therefore he came himself; he obtained what he wished, and then the huckster and his wife nodded good evening to him, and she was a woman who could do more than merely nod, for she had usually plenty to say for herself. The student nodded in return as he turned to leave, then suddenly stopped, and began reading the piece of paper in which the cheese was wrapped. It was a leaf torn out of an old book, a book that ought not to have been torn up, for it was full of poetry.

“Yonder lies some more of the same sort,” said the huckster: “I gave an old woman a few coffee berries for it; you shall have the rest for sixpence, if you will.”

“Indeed I will,” said the student; “give me the book instead of the cheese; I can eat my bread and butter without cheese. It would be a sin to tear up a book like this. You are a clever man; and a practical man; but you understand no more about poetry than that cask yonder.”

This was a very rude speech, especially against the cask; but the huckster and the student both laughed, for it was only said in fun. But the goblin felt very angry that any man should venture to say such things to a huckster who was a householder and sold the best butter. As soon as it was night, and the shop closed, and every one in bed except the student, the goblin stepped softly into the bedroom where the huckster's wife slept, and took away her tongue, which of course, she did not then want. Whatever object in the room he placed his tongue upon immediately received voice and speech, and was able to express its thoughts and feelings as readily as the lady herself could do. It could only be used by one object at a time, which was a good thing, as a number speaking at once would have caused great confusion. The goblin laid the tongue upon the cask, in which lay a quantity of old newspapers.

“Is it really true,” he asked, “that you do not know what poetry is?”

“Of course I know,” replied the cask: “poetry is something that always stand in the corner of a newspaper, and is sometimes cut out; and I may venture to affirm that I have more of it in me than the student has, and I am only a poor tub of the huckster's.”

Then the goblin placed the tongue on the coffee mill; and how it did go to be sure! Then he put it on the butter tub and the cash box, and they all expressed the same opinion as the waste-paper tub; and a majority must always be respected.

“Now I shall go and tell the student,” said the goblin; and with these words he went quietly up the back stairs to the garret where the student lived. He had a candle burning still, and the goblin peeped through the keyhole and saw that he was reading in the torn book, which he had brought out of the shop. But how light the room was! From the book shot forth a ray of light which grew broad and full, like the stem of a tree, from which bright rays spread upward and over the student's head. Each leaf was fresh, and each flower was like a beautiful female head; some with dark and sparkling eyes, and others with eyes that were wonderfully blue and clear. The fruit gleamed like stars, and the room was filled with sounds of beautiful music. The little goblin had never imagined, much less seen or heard of, any sight so glorious as this. He stood still on tiptoe, peeping in, till the light went out in the garret. The student no doubt had blown out his candle and gone to bed; but the little goblin remained standing there nevertheless, and listening to the music which still sounded on, soft and beautiful, a sweet cradle-song for the student, who had lain down to rest.

“This is a wonderful place,” said the goblin; “I never expected such a thing. I should like to stay here with the student;” and the little man thought it over, for he was a sensible little spirit. At last he sighed, “but the student has no jam!” So he went down stairs again into the huckster's shop, and it was a good thing he got back when he did, for the cask had almost worn out the lady's tongue; he had given a description of all that he contained on one side, and was just about to turn himself over to the other side to describe what was there, when the goblin entered and restored the tongue to the lady. But from that time forward, the whole shop, from the cash box down to the pinewood logs, formed their opinions from that of the cask; and they all had such confidence in him, and treated him with so much respect, that when the huckster read the criticisms on theatricals and art of an evening, they fancied it must all come from the cask.

But after what he had seen, the goblin could no longer sit and listen quietly to the wisdom and understanding down stairs; so, as soon as the evening light glimmered in the garret, he took courage, for it seemed to him as if the rays of light were strong cables, drawing him up, and obliging him to go and peep through the keyhole; and, while there, a feeling of vastness came over him such as we experience by the ever-moving sea, when the storm breaks forth; and it brought tears into his eyes. He did not himself know why he wept, yet a kind of pleasant feeling mingled with his tears. “How wonderfully glorious it would be to sit with the student under such a tree;” but that was out of the question, he must be content to look through the keyhole, and be thankful for even that.

There he stood on the old landing, with the autumn wind blowing down upon him through the trap-door. It was very cold; but the little creature did not really feel it, till the light in the garret went out, and the tones of music died away. Then how he shivered, and crept down stairs again to his warm corner, where it felt home-like and comfortable. And when Christmas came again, and brought the dish of jam and the great lump of butter, he liked the huckster best of all.

Soon after, in the middle of the night, the goblin was awoke by a terrible noise and knocking against the window shutters and the house doors, and by the sound of the watchman's horn; for a great fire had broken out, and the whole street appeared full of flames. Was it in their house, or a neighbor's? No one could tell, for terror had seized upon all. The huckster's wife was so bewildered that she took her gold ear-rings out of her ears and put them in her pocket, that she might save something at least. The huckster ran to get his business papers, and the servant resolved to save her blue silk mantle, which she had managed to buy. Each wished to keep the best things they had. The goblin had the same wish; for, with one spring, he was up stairs and in the student's room, whom he found standing by the open window, and looking quite calmly at the fire, which was raging at the house of a neighbor opposite. The goblin caught up the wonderful book which lay on the table, and popped it into his red cap, which he held tightly with both hands. The greatest treasure in the house was saved; and he ran away with it to the roof, and seated himself on the chimney. The flames of the burning house opposite illuminated him as he sat, both hands pressed tightly over his cap, in which the treasure lay; and then he found out what feelings really reigned in his heart, and knew exactly which way they tended. And yet, when the fire was extinguished, and the goblin again began to reflect, he hesitated, and said at last, “I must divide myself between the two; I cannot quite give up the huckster, because of the jam.”

And this is a representation of human nature. We are like the goblin; we all go to visit the huckster “because of the jam.”

 安徒生童话故事:各得其所

It is more than a hundred years ago! At the border of the wood, near a large lake, stood the old mansion: deep ditches surrounded it on every side, in which reeds and bulrushes grew. Close by the drawbridge, near the gate, there was an old willow tree, which bent over the reeds.

From the narrow pass came the sound of bugles and the trampling of horses’ feet; therefore a little girl who was watching the geese hastened to drive them away from the bridge, before the whole hunting party came galloping up; they came, however, so quickly, that the girl, in order to avoid being run over, placed herself on one of the high corner-stones of the bridge. She was still half a child and very delicately built; she had bright blue eyes, and a gentle, sweet expression. But such things the baron did not notice; while he was riding past the little goose-girl, he reversed his hunting crop, and in rough play gave her such a push with it that she fell backward into the ditch.

“Everything in the right place!” he cried. “Into the ditch with you.”

Then he burst out laughing, for that he called fun; the others joined in—the whole party shouted and cried, while the hounds barked.

While the poor girl was falling she happily caught one of the branches of the willow tree, by the help of which she held herself over the water, and as soon as the baron with his company and the dogs had disappeared through the gate, the girl endeavoured to scramble up, but the branch broke off, and she would have fallen backward among the rushes, had not a strong hand from above seized her at this moment. It was the hand of a pedlar; he had witnessed what had happened from a short distance, and now hastened to assist her.

“Everything in the right place,” he said, imitating the noble baron, and pulling the little maid up to the dry ground. He wished to put the branch back in the place it had been broken off, but it is not possible to put everything in the right place; therefore he stuck the branch into the soft ground.

“Grow and thrive if you can, and produce a good flute for them yonder at the mansion,” he said; it would have given him great pleasure to see the noble baron and his companions well thrashed. Then he entered the castle—but not the banqueting hall; he was too humble for that. No; he went to the servants’ hall. The men-servants and maids looked over his stock of articles and bargained with him; loud crying and screaming were heard from the master’s table above: they called it singing—indeed, they did their best. Laughter and the howls of dogs were heard through the open windows: there they were feasting and revelling; wine and strong old ale were foaming in the glasses and jugs; the favourite dogs ate with their masters; now and then the squires kissed one of these animals, after having wiped its mouth first with the tablecloth. They ordered the pedlar to come up, but only to make fun of him. The wine had got into their heads, and reason had left them. They poured beer into a stocking that he could drink with them, but quick. That’s what they called fun, and it made them laugh. Then meadows, peasants, and farmyards were staked on one card and lost.

“Everything in the right place!” the pedlar said when he had at last safely got out of Sodom and Gomorrah, as he called it. “The open high road is my right place; up there I did not feel at ease.”

The little maid, who was still watching the geese, nodded kindly to him as he passed through the gate.

Days and weeks passed, and it was seen that the broken willow-branch which the peddlar had stuck into the ground near the ditch remained fresh and green—nay, it even put forth fresh twigs; the little goose-girl saw that the branch had taken root, and was very pleased; the tree, so she said, was now her tree. While the tree was advancing, everything else at the castle was going backward, through feasting and gambling, for these are two rollers upon which nobody stands safely. Less than six years afterwards the baron passed out of his castle-gate a poor beggar, while the baronial seat had been bought by a rich tradesman. He was the very pedlar they had made fun of and poured beer into a stocking for him to drink; but honesty and industry bring one forward, and now the pedlar was the possessor of the baronial estate. From that time forward no card-playing was permitted there.

“That’s a bad pastime,” he said; “when the devil saw the Bible for the first time he wanted to produce a caricature in opposition to it, and invented card-playing.”

The new proprietor of the estate took a wife, and whom did he take?—The little goose-girl, who had always remained good and kind, and who looked as beautiful in her new clothes as if she had been a lady of high birth. And how did all this come about? That would be too long a tale to tell in our busy time, but it really happened, and the most important events have yet to be told.

It was pleasant and cheerful to live in the old place now: the mother superintended the household, and the father looked after things out-of-doors, and they were indeed very prosperous.

Where honesty leads the way, prosperity is sure to follow. The old mansion was repaired and painted, the ditches were cleaned and fruit-trees planted; all was homely and pleasant, and the floors were as white and shining as a pasteboard. In the long winter evenings the mistress and her maids sat at the spinning-wheel in the large hall; every Sunday the counsellor—this title the pedlar had obtained, although only in his old days—read aloud a portion from the Bible. The children (for they had children) all received the best education, but they were not all equally clever, as is the case in all families.

In the meantime the willow tree near the drawbridge had grown up into a splendid tree, and stood there, free, and was never clipped. “It is our genealogical tree,” said the old people to their children, “and therefore it must be honoured.”

A hundred years had elapsed. It was in our own days; the lake had been transformed into marsh land; the whole baronial seat had, as it were, disappeared. A pool of water near some ruined walls was the only remainder of the deep ditches; and here stood a magnificent old tree with overhanging branches—that was the genealogical tree. Here it stood, and showed how beautiful a willow can look if one does not interfere with it. The trunk, it is true, was cleft in the middle from the root to the crown; the storms had bent it a little, but it still stood there, and out of every crevice and cleft, in which wind and weather had carried mould, blades of grass and flowers sprang forth. Especially above, where the large boughs parted, there was quite a hanging garden, in which wild raspberries and hart’s-tongue ferns throve, and even a little mistletoe had taken root, and grew gracefully in the old willow branches, which were reflected in the dark water beneath when the wind blew the chickweed into the corner of the pool. A footpath which led across the fields passed close by the old tree. High up, on the woody hillside, stood the new mansion. It had a splendid view, and was large and magnificent; its window panes were so clear that one might have thought there were none there at all. The large flight of steps which led to the entrance looked like a bower covered with roses and broad-leaved plants. The lawn was as green as if each blade of grass was cleaned separately morning and evening. Inside, in the hall, valuable oil paintings were hanging on the walls. Here stood chairs and sofas covered with silk and velvet, which could be easily rolled about on castors; there were tables with polished marble tops, and books bound in morocco with gilt edges. Indeed, well-to-do and distinguished people lived here; it was the dwelling of the baron and his family. Each article was in keeping with its surroundings. “Everything in the right place” was the motto according to which they also acted here, and therefore all the paintings which had once been the honour and glory of the old mansion were now hung up in the passage which led to the servants’ rooms. It was all old lumber, especially two portraits—one representing a man in a scarlet coat with a wig, and the other a lady with powdered and curled hair holding a rose in her hand, each of them being surrounded by a large wreath of willow branches. Both portraits had many holes in them, because the baron’s sons used the two old people as targets for their crossbows. They represented the counsellor and his wife, from whom the whole family descended. “But they did not properly belong to our family,” said one of the boys; “he was a pedlar and she kept the geese. They were not like papa and mamma.” The portraits were old lumber, and “everything in its right place.” That was why the great-grandparents had been hung up in the passage leading to the servants’ rooms.

The son of the village pastor was tutor at the mansion. One day he went for a walk across the fields with his young pupils and their elder sister, who had lately been confirmed. They walked along the road which passed by the old willow tree, and while they were on the road she picked a bunch of field-flowers. “Everything in the right place,” and indeed the bunch looked very beautiful. At the same time she listened to all that was said, and she very much liked to hear the pastor’s son speak about the elements and of the great men and women in history. She had a healthy mind, noble in thought and deed, and with a heart full of love for everything that God had created. They stopped at the old willow tree, as the youngest of the baron’s sons wished very much to have a flute from it, such as had been cut for him from other willow trees; the pastor’s son broke a branch off. “Oh, pray do not do it!” said the young lady; but it was already done. “That is our famous old tree. I love it very much. They often laugh at me at home about it, but that does not matter. There is a story attached to this tree.” And now she told him all that we already know about the tree—the old mansion, the pedlar and the goose-girl who had met there for the first time, and had become the ancestors of the noble family to which the young lady belonged.

“They did not like to be knighted, the good old people,” she said; “their motto was ‘everything in the right place,’ and it would not be right, they thought, to purchase a title for money. My grandfather, the first baron, was their son. They say he was a very learned man, a great favourite with the princes and princesses, and was invited to all court festivities. The others at home love him best; but, I do not know why, there seemed to me to be something about the old couple that attracts my heart! How homely, how patriarchal, it must have been in the old mansion, where the mistress sat at the spinning-wheel with her maids, while her husband read aloud out of the Bible!”

“They must have been excellent, sensible people,” said the pastor’s son. And with this the conversation turned naturally to noblemen and commoners; from the manner in which the tutor spoke about the significance of being noble, it seemed almost as if he did not belong to a commoner’s family.

“It is good fortune to be of a family who have distinguished themselves, and to possess as it were a spur in oneself to advance to all that is good. It is a splendid thing to belong to a noble family, whose name serves as a card of admission to the highest circles. Nobility is a distinction; it is a gold coin that bears the stamp of its own value. It is the fallacy of the time, and many poets express it, to say that all that is noble is bad and stupid, and that, on the contrary, the lower one goes among the poor, the more brilliant virtues one finds. I do not share this opinion, for it is wrong. In the upper classes one sees many touchingly beautiful traits; my own mother has told me of such, and I could mention several. One day she was visiting a nobleman’s house in town; my grandmother, I believe, had been the lady’s nurse when she was a child. My mother and the nobleman were alone in the room, when he suddenly noticed an old woman on crutches come limping into the courtyard; she came every Sunday to carry a gift away with her.

“‘There is the poor old woman,’ said the nobleman; ‘it is so difficult for her to walk.’

“My mother had hardly understood what he said before he disappeared from the room, and went downstairs, in order to save her the troublesome walk for the gift she came to fetch. Of course this is only a little incident, but it has its good sound like the poor widow’s two mites in the Bible, the sound which echoes in the depth of every human heart; and this is what the poet ought to show and point out—more especially in our own time he ought to sing of this; it does good, it mitigates and reconciles! But when a man, simply because he is of noble birth and possesses a genealogy, stands on his hind legs and neighs in the street like an Arabian horse, and says when a commoner has been in a room: ‘Some people from the street have been here,’ there nobility is decaying; it has become a mask of the kind that Thespis created, and it is amusing when such a person is exposed in satire.”

Such was the tutor’s speech; it was a little long, but while he delivered it he had finished cutting the flute.

There was a large party at the mansion; many guests from the neighbourhood and from the capital had arrived. There were ladies with tasteful and with tasteless dresses; the big hall was quite crowded with people. The clergymen stood humbly together in a corner, and looked as if they were preparing for a funeral, but it was a festival—only the amusement had not yet begun. A great concert was to take place, and that is why the baron’s young son had brought his willow flute with him; but he could not make it sound, nor could his father, and therefore the flute was good for nothing.

There was music and songs of the kind which delight most those that perform them; otherwise quite charming!

“Are you an artist?” said a cavalier, the son of his father; “you play on the flute, you have made it yourself; it is genius that rules—the place of honour is due to you.”

“Certainly not! I only advance with the time, and that of course one can’t help.”

“I hope you will delight us all with the little instrument—will you not?” Thus saying he handed to the tutor the flute which had been cut from the willow tree by the pool; and then announced in a loud voice that the tutor wished to perform a solo on the flute. They wished to tease him—that was evident, and therefore the tutor declined to play, although he could do so very well. They urged and requested him, however, so long, that at last he took up the flute and placed it to his lips.

That was a marvellous flute! Its sound was as thrilling as the whistle of a steam engine; in fact it was much stronger, for it sounded and was heard in the yard, in the garden, in the wood, and many miles round in the country; at the same time a storm rose and roared; “Everything in the right place.” And with this the baron, as if carried by the wind, flew out of the hall straight into the shepherd’s cottage, and the shepherd flew—not into the hall, thither he could not come—but into the servants’ hall, among the smart footmen who were striding about in silk stockings; these haughty menials looked horror-struck that such a person ventured to sit at table with them. But in the hall the baron’s daughter flew to the place of honour at the end of the table—she was worthy to sit there; the pastor’s son had the seat next to her; the two sat there as if they were a bridal pair. An old Count, belonging to one of the oldest families of the country, remained untouched in his place of honour; the flute was just, and it is one’s duty to be so. The sharp-tongued cavalier who had caused the flute to be played, and who was the child of his parents, flew headlong into the fowl-house, but not he alone.

The flute was heard at the distance of a mile, and strange events took place. A rich banker’s family, who were driving in a coach and four, were blown out of it, and could not even find room behind it with their footmen. Two rich farmers who had in our days shot up higher than their own corn-fields, were flung into the ditch; it was a dangerous flute. Fortunately it burst at the first sound, and that was a good thing, for then it was put back into its owner’s pocket—“its right place.”

The next day, nobody spoke a word about what had taken place; thus originated the phrase, “to pocket the flute.” Everything was again in its usual order, except that the two old pictures of the peddlar and the goose-girl were hanging in the banqueting-hall. There they were on the wall as if blown up there; and as a real expert said that they were painted by a master’s hand, they remained there and were restored. “Everything in the right place,” and to this it will come. Eternity is long, much longer indeed than this story.

结束语:

安徒生运用童话的形式诉说着他的爱、他对世事的洞察以及对生命的追问,他填补了全世界孩子童年的梦境,向他们传递了现实世界的真善美,以上的安徒生经典童话故事希望大家喜欢!